Singapore Art Museum (SAM)

Learning Gallery

2 Aug 2025 – 28 June 2026

SAM Gallery 2

Art and childhood share a natural connection.

Both involve freedom, curiosity and fearless exploration. Many of us first create art as children, a time when we learn about the world and shape our emotions, beliefs and memories. What if we could return to that childlike spirit, open to discovery and unafraid to try something new?

This second edition of the Learning Gallery invites you to look beyond the everyday. Explore possibilities, experiment with different ideas and materials, and venture outside the familiar. The artworks here span across diverse mediums and explore themes of identity, home, nature and the environment, people and places, space and memory. They ask meaningful questions about life and inspire new ways of seeing and understanding contemporary art.

The Living Room

12 Sep 2025 – 19 Jul 2026

SAM Gallery 4

Performance art never sits still. Belonging to time, it vanishes just as it happens – leaving behind questions, afterimages, even a bit of chaos. But what if what remains is not merely a trace, but an opening for something else?

The Living Room explores how museums might collect, care for, and re-present performance-based practices. Like the living room in a home, this exhibition considers what it means to create a space that is private yet shared, settled yet always in flux. More than a metaphor, it becomes a way of being: a model for how an exhibition might gather people, hold ideas, and remain open. Here, The Living Room invites us to think of performance traces not merely as static records, but as elements in a shifting space of encounter and exchange.

This show completes a three-part collaboration between Singapore Art Museum (SAM), Seoul Museum of Art (SeMA), and Queensland Art Gallery | Gallery of Modern Art (QAGOMA). It brings together works from the collections of the three institutions alongside invited artists. Through ephemeral gestures, participatory encounters, unrealised proposals, and archival fragments, The Living Room reflects on the afterlives of performance – not as endings, but as openings for reactivation, relation and return.

The Living Room is presented in parallel with Talking Objects in the Collection Gallery. Together, the two exhibitions invite reflection on how art is experienced, interpreted, and carried through time and space.

Talking Objects

12 Sep 2025 – 19 Jul 2026

SAM Gallery 4

Talking Objects examines the meanings that quotidian objects and everyday representations amass through use and circulation. Casting daily encounters in new light, the artists in the exhibition explore the emotions and value we accord to the material and visual world around us.

Presented in unexpected or unsettling contexts, commonplace objects are imbued with human experience and emotions, revealing ambiguous histories and memories. By the actions of artists, the mundane is transformed into incisive instruments of expression—words become gestures, language turns visual, the intangible is rendered material and the inanimate comes to life.

Drawn primarily from the collection of Singapore Art Museum, the works in Talking Objects encourage us to take a close look at the world we inhabit and seek new ways of seeing, thinking and meaning-making. As we face an entropy of images, information and values, how do we talk with and about objects, and what do objects say of us?

Talking Objects is presented in parallel with The Living Room in the Collection Gallery. Together, the two exhibitions invite reflection on how art is experienced, interpreted, and carried through time and space.

Maria Taniguchi: Afterimage

24 July – 22 November 2026

Maria Taniguchi: Afterimage is the first monographic exhibition of the acclaimed artist presented by a Singapore museum. Taking its title from impressions that linger in our field of vision, the exhibition highlights the recurring concerns that run through her wider practice, such as repetition, time and labour. The exhibition is anchored by Taniguchi’s “brick paintings” (2008–ongoing), in which subtle shifts in colour and scale accumulate over time. Alongside these towering canvases, Afterimage presents a new version of Runaways, a series of wooden sculptures made up of straight lines and circles that function as three-dimensional drawings. Four video works made between 2010 and 2026 complete the exhibition, further illuminating Taniguchi’s relationship to space, time and artistic process.

• The Organiser/Venue Owner reserves the right without refund or compensation to refuse admission/evict any person(s) whose conduct is disorderly or inappropriate or who poses a threat to security, or to the enjoyment of the Event by others.
• Ticket holders assume all risk of injury and all responsibility for property loss, destruction or theft and release the promoters, performers, sponsors, ticket outlets, venues, and their employees from any liability thereafter.
• The resale of ticket(s) at the same or any price is prohibited.
• There is no refund, exchange or cancellation once ticket(s) are sold. 

• Admission is subject to valid tickets produced at the entrance
• Each ticket admits one person
• Valid proof of identity (e.g., passport, school pass) must be presented at the ticketing counter to enjoy concession admission.
• One caregiver accompanying visitors with disabilities will enjoy free admission, regardless of the caregiver's nationality.
  

Children under 2 years will be considered as infant and entry will be free of cost.

Children between age 3 to 12 will be considered as child and charged child rate.

Children above age 12 will be considered as an adult and charged adult rate.